“Modern to Postmodern Shakespeares: Three Approaches to the Staging of Romeo and Juliet.” In Stage Directors and Choreographers Journal. New York, September 2016

“BRING IT, ALL YOU F-KING ANIMALS: Representing the African (American) as Savage from King Kong to Ferguson.” In Representing African in the Motherland and the Diaspora: Essays on Theatre, Dance, Music and Cinema. Cambridge Scholars Publishing, September 2016.

“The Changing Ethnic Landscape of Norwegian Theatre.” In Landscape, Seascape, and the Eco-Spatial Imagination, Routledge, UK, June 2016

“Baron Kelly”; An Actor’s Task: Engaging the Senses, Hackett Publishing (2015)


“Anne Wiggins Brown” and “Paula Kelly”; African American National Biography, Oxford University Press (Februrary 2008)

“Ira Aldridge: Prophet of Protest”; Ira Aldridge (1807-1867): The Great Shakespearean Tragedian on the Bicentennial Anniversary of his Birth, Peter Lang Publishing Group (August 2009)

“The Wild Duck: Viewed Through A Refractive Lens”; Blackstream, Association for Theatre in Higher Education (August 2004)

“Ira Aldridge and Taras Shevchenko Prophets of Protest”; Ukraine in World Culture, Russian Academy of Science and Literature: St. Petersburg (June 2009)

“Ira Aldridge: The African Roscius”; Theatre Journal v 60 n3 (October 2008)

“Breaking the Apartheid: Blocking Actors of Color in Globalized Multicultural Theatre”; Post National Enquiries: Essays on Ethnic and Racial Border Crossing, Cambridge Scholars Publishing (July 2009)

“Africans in Scandinavia”; Research Review: Institute of African Studies, University of Ghana v25 n1 (September 2009)

“Ira Aldridge and Taras Schevchenk The Story of a Friendship”; Slovo i Chas [Word and Time], Ukrainian Institute of Literature (August 2008)

“Oslo in Color”; American Theatre (October 2006)