Bring It, All you F-king Animals: Representing the African (American) as Savage From King Kong to Ferguson

in Representing Africa in the Motherland and the Diaspora: Essays on Theatre, Dance, Music and Cinema, Cambridge Scholars Publishing

Previous
Previous

Earle Hyman: Scandinavian Successes” in Routledge Companion to African American Theater & Performance

Next
Next

Review By Melissa MIller of “An Actor’s Task: Engaging the Senses”