Actors stun in University Theatre’s ‘Fences’

Actors stun in University Theatre’s ‘Fences’

In “Fences,” Wilson fits the whole country in a backyard and makes the bigness of his ideas seem life-size. This play is a vital encapsulation of Black history and contemporary life. This article urges readers to go support the University Theatre and to see not just an amazing performance, but a transcending story, an elaborate set and truly phenomenal actors, direction and stage hands.

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Theater prof explores the Black experience in UW-Madison production of ‘Fences’

Theater prof explores the Black experience in UW-Madison production of ‘Fences’

Appointed in 2022, Kelly has come home to the department where he earned his doctorate two decades ago. And his first directing project in this new post, which is also part of his ongoing research, is a production of August Wilson’s highly acclaimed play Fences, examining the Black experience in 1950s America. The play will run March 1-10, in the Mitchell Theatre on the UW campus.

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Kelly Wins Award for teaching excellence

Kelly Wins Award for teaching excellence

UW–Madison’s Baron Kelly has been selected to receive an Award for Excellence in Undergraduate Training from the University Resident Theatre Association (URTA).

Kelly, a Vilas Distinguished Achievement Professor in the School of Education’s Department of Theatre and Drama — who also holds a concurrent appointment ,with the Odyssey Project in the Division of Continuing Studies — is being recognized in the area of acting.

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UW–Madison’s Kelly to be featured as a panelist in international webinar
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UW–Madison’s Kelly to be featured as a panelist in international webinar

UW–Madison’s Baron Kelly is a panelist in the international webinar, “The S Word: Stanislavsky and Gender,” co-hosted by the Stanislavsky Research Centre at the University of Leeds, and the School of Performing Arts, University of Malta.

Kelly is a professor in the Department of Theatre and Drama, and also holds a concurrent appointment with the Odyssey Project in the Division of Continuing Studies.

During the webinar, Kelly will discuss his journey and techniques in developing his one-man show on Ira Aldridge, one of the first African American actors to achieve success on the international stage.

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Theater Forward
Interviews, Plays, Directing Nick Wilkes Interviews, Plays, Directing Nick Wilkes

Theater Forward

Episode 64 of Theater Forward, a podcast featuring Jen Uphoff Gray, Julie Swenson and Mike Fischer as they discuss theater issues on a local, regional, and national level.

In this episode, Jen Uphoff Gray speaks with actress Marti Gobel and director Baron Kelly about their roles in Adrienne Kennedy and Adam Kennedy's 'Mom, How Did You Meet The Beatles?'

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Global Artist Baron Kelly
Interviews Baron Kelly Interviews Baron Kelly

Global Artist Baron Kelly

After surviving growing up in a tough neighborhood in New York, I discuss my career beginnings singing with the Metropolitan Opera to eventually becoming a four-time world traveled Fulbright Scholar bridging cultural divides as a cultural specialist for the United States.

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UW–Madison’s Kelly named to College of Fellows of the American Theatre
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UW–Madison’s Kelly named to College of Fellows of the American Theatre

UW–Madison’s Baron Kelly is joining the prestigious College of Fellows of the American Theatre in the honorary society’s next incoming class.

Membership in the College is conferred on individuals of acknowledged national stature who have distinguished themselves during their careers for notable dedication, exceptional service, and outstanding achievement

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The capitol Times
Interviews Nick Wilkes Interviews Nick Wilkes

The capitol Times

Professor Baron Kelly hasn’t lived in Madison for nearly two decades. In fall of 1999, while earning his Ph.D. at the University of Wisconsin-Madison, Kelly played one of the title characters in “The Three Musketeers” alongside Jim Ridge in the Mitchell Theatre.

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Leo Weekly
Interviews Nick Wilkes Interviews Nick Wilkes

Leo Weekly

“Baron Kelly, the newish director of the African American Theatre Program at the University of Louisville, is almost too good to be true. He’s got an impressive academic career, and a list of professional credits as long as your arm.”

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